MUSEUMS, COLLECTORS & RECORDS

By Peter M. Ledwith
Published on January 1, 1986
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Curator of Collections Ontario Agricultural Museum Milton,
Ontario, Canada

There are likely as many definitions of the term
‘museum’ as there are museums in North America, each
definition modified by its author according to his environment, his
perceptions and his experiences with these institutions. In 1895,
George Brown Goode defined ‘museum’ as ‘an institution
for the preservation of those objects which best illustrate the
phenomena of nature and the works of man, and the utilization of
these for the increase of knowledge and for the culture and
enlightenment of the people.’

More recently, Webster’s New Collegiate Dictionary specifies
that a museum is ‘an institution devoted to the procurement,
care, study and display of objects of lasting interest or of
value.’ A much more involved definition, drafted by the
American Association of Museums states that a museum is ‘an
organized and permanent non-profit institution, essentially
educational or aesthetic in purpose, with professional staff, which
owns or utilizes tangible objects, cares for them, and exhibits
them to the public on some regular schedule.’

Although there are several common threads linking not only these
three, but most acceptable definitions of a museum, there are two
aspects which perhaps have more importance than any others the
acquisition and care of collections. Museums can survive, perhaps
even prosper, without organizing the other important museum
functions of research, education or even exhibition, yet they
cannot truly exist without a collection.

20 HP Waterloo traction engine after receiving mechanical
restoration. Procedure and repairs/replacement parts were recorded
for future information.

One of the most necessary components of the collecting function
of a museum is the creation and maintenance of records concerning
the objects they protect. Many museums struggle with this task,
their collections perhaps having been assembled by well-meaning
staff, boards or volunteers with no professional training in museum
procedures, or developed by the acquisition of private collections,
for which no records usually exist. It is this latter group of
individuals to which the following comments are addressed.

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