Once Upon a Dream

By Gary Yaeger
Published on September 1, 2006
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Above: Oscar Cooke posing beside a 1910 Olmstead 25-50 HP tractor.
Above: Oscar Cooke posing beside a 1910 Olmstead 25-50 HP tractor.
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Left: Oscar’s oil-fired Best steam engine.
Left: Oscar’s oil-fired Best steam engine.
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Left: A 16 HP Reeves steam engine at the entry to Oscar’s museum.
Left: A 16 HP Reeves steam engine at the entry to Oscar’s museum.
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Right: Some of the old equipment in one of Oscar’s tractor sheds.
Right: Some of the old equipment in one of Oscar’s tractor sheds.
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Above: Oscar posing with his Holt track-type tractor.
Above: Oscar posing with his Holt track-type tractor.
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Below: I couldn’t submit a story about Oscar and not include his operable 20 HP Reeves cross-compound. This was actually quite a late Reeves engine.
Below: I couldn’t submit a story about Oscar and not include his operable 20 HP Reeves cross-compound. This was actually quite a late Reeves engine.
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Left: Oscar proudly standing beside what was likely his toughest and most costly project: Kerosene Annie.
Left: Oscar proudly standing beside what was likely his toughest and most costly project: Kerosene Annie.
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Above: Cooke Cemetery and the fence surrounding the little Huber return flue engine that houses the ashes of the late Oscar O. Cooke. I understand that later, there was a bronze plaque fastened to the front water tank.
Above: Cooke Cemetery and the fence surrounding the little Huber return flue engine that houses the ashes of the late Oscar O. Cooke. I understand that later, there was a bronze plaque fastened to the front water tank.
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I was a young man the first time I visited
Oscar’s Dreamland Museum near the Yellowstone River south of
Billings, Mont. The late Max Tyler insisted I needed to go out and
meet Oscar Cooke the next time I was in Billings. Oscar owned a
bunch of crawler-type tractors, and although Max had been a real
steam man from the original steam era, his real love later in life
became “Cats.” Both men had their Holts, Bests, Caterpillars,
Monarchs, Allis-Chalmers and Cletracs, and Oscar even had
McCormick-Deerings. Max wouldn’t own one, as he’d grown up running
Cats while in the Civilian Conservation Corps during the Great
Depression and had his personal reasons for disliking them.

I ventured out to meet Oscar the next time Sharon, my wife, and
I went to Billings. Cooke had just opened his museum to the public
in 1968. I was very pleased to see a huge old Corliss engine out
front that once powered the Great Western Sugar Co. in Billings
greeting the public.

I remember seeing this 16-foot (I believe) flywheel engine in
operation at “the Sugar Factory” in my boyhood. I remember walking
into Oscar’s shop, where he was working on a small, steel-wheeled
gas tractor. I sort of felt like an unneeded interruption, as my
age didn’t quite qualify me as anything but another “question
asker.” I soon turned our conversation to my love and ability with
steam traction engines. Oscar came right to life. After checking me
out a little further, Oscar insisted I needed to become part of his
engine crew for his shows. He set down his wrenches, cleaned his
hands and insisted on taking me around his museum on a personal
tour.

I don’t recall the size of the three (red, white and blue) sheds
at Oscar’s Dreamland, but they must have been close to
75-foot-by-150-foot or possibly larger. Some had lean-to roof
extensions on the outside, where he stored his steam traction
engines. It was phenomenal the amount of equipment he stored
inside. One building was pretty much filled with huge prairie-type
gas tractors. Another was filled with smaller tractors and the
third was a mixture of antique aircraft, antique automobiles and
other memorabilia, at that time.

One of my favorite parts of the tour was when we passed by the
scrap iron pile and the remnants of his “Kerosene Annie,” the
prototype of the famed Rumely OilPull tractor. She lacked
so much. There were massive amounts missing – gearing,
steering gear, engine parts, and it looked completely hopeless to
me.

I don’t remember which tractor magazine publisher visited the
museum and passed by this same tractor, photographing it for
placement in his magazine. Anyway, this publisher didn’t realize
who he was dealing with when he printed something like: Kerosene
Annie – It will never run again.

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